Artistic intention

I am able today to express some of the emotions on which my current work is founded:

- the fascination in front of “the woman”,

- the uncertainty and questioning about “the beauty”,

- the amazement when I consider fecundity,

- the desire and urgency for the redevelopment of my own sensitivity,

- the joy of letting myself been influenced by authentic affectivities,

- the pleasure of expressing my “brutitude” freely,

- the desire to remain close to Nature,

- the love of nudity.

Amazement in front of “fecundity”

In this approach, the pregnant woman finds a place primarily right.

By the means of my amazement in front of the magic of gestation, there is an obvious place for the spontaneous appreciation of the developed shapes of the pregnant woman, in this already sumptuous amplitude, their paramount reality of life.

It is so delightful to exaggerate these volumes, thanks to the right to disproportion of the bodies carved in the clay.

My current production is mainly dedicated like an anthem to femininity and fecundity.

In addition, it is not impossible that artistic creation is for me a means of compensating for frustration due to the limitations my “male being” - It is a little like granting the capacity to let germinate in oneself, in an improbable matrix, seed of an embryo (of artistic work?), and to give it a chance to be born from itself.